
Peter Cushing 1s1kp
Birthday: 26 May 1913, Kenley, Surrey [now in Croydon, London], England, UK
Birth Name: Peter Wilton Cushing
Height: 182 cm
Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, w... Show more »
Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, who was a stage actress. While at school, Cushing pursued his acting interest in acting and also drawing, a talent he put to good use later in his first job as a government surveyor's assistant in Surrey. At this time, he also dabbled in local amateur theater until moving to London to attend the Guildhall School of Music and Drama on scholarship. He then performed in repertory theater, deciding in 1939 to head for Hollywood, where he made his film debut in The Man in the Iron Mask (1939). Other Hollywood films included A Chump at Oxford (1940) with Stan Laurel and Oliver Hardy, Vigil in the Night (1940) and They Dare Not Love (1941). However, after a short stay, he returned to England by way of New York (making brief appearances on Broadway) and Canada. Back in his homeland, he contributed to the war effort during World War II by ing the Entertainment National Services Association.After the war, he performed in the West End and had his big break appearing with Laurence Olivier in Hamlet (1948), in which Cushing's future partner-in-horror Christopher Lee had a bit part. Both actors also appeared in Moulin Rouge (1952) but did not meet until their later horror films. During the 1950s, Cushing became a familiar face on British television, appearing in numerous teleplays, such as 1984 (1954) and Beau Brummell (1954), until the end of the decade when he began his legendary association with Hammer Film Productions in its remakes of the 1930s Universal horror classics. His first Hammer roles included Dr. Frankenstein in The Curse of Frankenstein (1957), Dr. Van Helsing in Dracula (1958), and Sherlock Holmes in The Hound of the Baskervilles (1959).Cushing continued playing the roles of Drs. Frankenstein and Van Helsing, as well as taking on other horror characters, in Hammer films over the next 20 years. He also appeared in films for the other major horror producer of the time, Amicus Productions, including Dr. Terror's House of Horrors (1965) and its later horror anthologies, a couple of Dr. Who films (1965, 1966), I, Monster (1971), and others. By the mid-1970s, these companies had stopped production, but Cushing, firmly established as a horror star, continued in the genre for some time thereafter.Perhaps his best-known appearance outside of horror films was as Grand Moff Tarkin in George Lucas' phenomenally successful science fiction film Star Wars (1977). Biggles (1986) was Cushing's last film before his retirement, during which he made a few television appearances, wrote two autobiographies and pursued his hobbies of bird watching and painting. In 1989, he was made an Officer of the Order of the British Empire in recognition of his contributions to the acting profession in Britain and worldwide. Peter Cushing died at age 81 of prostate cancer on August 11, 1994. Show less «
"Strangely enough, I don't like horror pictures at all. I love to make them because they give pleasu...Show more »
"Strangely enough, I don't like horror pictures at all. I love to make them because they give pleasure to people, but my favourite types of films are much more subtle than horror. I like to watch films like The Bridge on the River Kwai (1957), The Apartment (1960) or lovely musicals." - (1980s) Show less «
There is little chance for a person to exercise the imagination today in this complex, programmed so...Show more »
There is little chance for a person to exercise the imagination today in this complex, programmed society we have. Show less «
Every part is approached in the same manner - gleaning all I can from what the author has written. W...Show more »
Every part is approached in the same manner - gleaning all I can from what the author has written. When called for, I add reaction to any given circumstance such as I've witnessed and observed in others through life, applying the emotion in of the character as opposed to the way I might react personally. Show less «
My criterion for accepting a role isn't based on what I would like to do. I try to consider what the...Show more »
My criterion for accepting a role isn't based on what I would like to do. I try to consider what the audience would like to see me do and I thought kids would adore Star Wars (1977). Show less «
If I played Hamlet, they'd call it a horror film.
If I played Hamlet, they'd call it a horror film.
In the early days I played a lot of comedy in the theater and on television. But once an actor becom...Show more »
In the early days I played a lot of comedy in the theater and on television. But once an actor becomes well known in any kind of part, he tends to get stereotyped. After I played Frankenstein, I was only thought of in that light. Of course, some actors are better at drama and some are better at comedy. But they can certainly have a stab at both. An actor should be able to do it all. Show less «
"You have to have a sense of humour, darling, to be alive. Even a bit mad. It helps to be mad." - (1...Show more »
"You have to have a sense of humour, darling, to be alive. Even a bit mad. It helps to be mad." - (1991) Show less «
[on the wig he had to wear for Frankenstein and the Monster from Hell (1974)] It made me look like H...Show more »
[on the wig he had to wear for Frankenstein and the Monster from Hell (1974)] It made me look like Helen Hayes. Show less «
Since Helen ed on I can't find anything; the heart, quite simply, has gone out of everything. Ti...Show more »
Since Helen ed on I can't find anything; the heart, quite simply, has gone out of everything. Time is interminable, the loneliness is almost unbearable and the only thing that keeps me going is the knowledge that my dear Helen and I will be united again some day. To Helen is my only ambition. You have my permission to publish that... really, you know dear boy, it's all just killing time. Please say that. - Radio Times 1972 Show less «
If I feel I can't put out 100 percent, it's not really fair to anyone who's come to watch for me to ...Show more »
If I feel I can't put out 100 percent, it's not really fair to anyone who's come to watch for me to go on creaking around. You need such energy. I love it, mind you. But you've got to be like athlete Zola Budd to work, which I'm not. Show less «
There are all sorts of reasons why I don't do much work in the theater, the main one being that afte...Show more »
There are all sorts of reasons why I don't do much work in the theater, the main one being that after two performances I feel I've given all I can. I hate repetition, I really do. It's like asking a painter to paint he same picture every day of his life. Show less «
[on The Curse of Frankenstein (1957)] No-one had any idea it would be successful. It took the world ...Show more »
[on The Curse of Frankenstein (1957)] No-one had any idea it would be successful. It took the world by storm. The whole thing only cost 65,000 pounds. You wouldn't be able to get a lead actor for that today. Show less «
When Helen ed on six years ago I lost the only joy in life that I ever wanted. She was my whole ...Show more »
When Helen ed on six years ago I lost the only joy in life that I ever wanted. She was my whole life and without her there is no meaning. I am simply killing time, so to speak, until that wonderful day when we are together again. Show less «
Television is rather a frightening business. But I get all the relaxation I want from my collection ...Show more »
Television is rather a frightening business. But I get all the relaxation I want from my collection of model soldiers. Show less «
Teeth are a vitally important part of an actor's equipment. I have over 30 toothbrushes at home and ...Show more »
Teeth are a vitally important part of an actor's equipment. I have over 30 toothbrushes at home and always keep a good supply at the studio. Show less «
Who wants to see me as Hamlet? Very few. But millions want to see me as Frankenstein so that's the o...Show more »
Who wants to see me as Hamlet? Very few. But millions want to see me as Frankenstein so that's the one I do. Show less «
We had Dracula among the kung fu in Hong Kong. It was called The Something of the Seven Golden Drago...Show more »
We had Dracula among the kung fu in Hong Kong. It was called The Something of the Seven Golden Dragons, Dracula and The Legend of the 7 Golden Vampires (1974). But I still had to drive a stake through Dracula's heart ... Once you've done Frankenstein, who creates the impossible, and Dracula, a man who drinks blood ... you've got to keep it on. It's awfully difficult to bring the changes up to date. They tried to keep it up to date with Steven Spielberg's Young Sherlock Holmes (1985), but it missed the atmosphere of the period. Show less «
"It gives me the most wonderful feeling. These dear people love me so much and want to see me. The a...Show more »
"It gives me the most wonderful feeling. These dear people love me so much and want to see me. The astonishing thing is that when I made the Frankenstein and Dracula movies almost 30 years ago the young audiences who see me now weren't even born yet. A new generation has grown up with my films. And the original audiences are still able to see me in new pictures. So, as long as these films are made I will have a life in this business -- for which I'm eternally grateful." (from a 1985 "Starlog" interview) Show less «
As far back as I can , I had a ion for 'dres' and playing games of 'Let's Pretend...Show more »
As far back as I can , I had a ion for 'dres' and playing games of 'Let's Pretend', which are, of course, the basic principals of acting, and if you are lucky enough, you get paid for so doing, hard work though it may be. Show less «
[on Vincent Price] A dear, charming man with a great sense of humor. Strictly a professional, who ca...Show more »
[on Vincent Price] A dear, charming man with a great sense of humor. Strictly a professional, who cares far more about his work than he allows the public to know. I am extremely fond of him and bask in his gentle kindness and warmth. Show less «
I hate the word 'hate'.
I hate the word 'hate'.
"You cannot make a film like this without integrity. To make the audiences believe in you, you must ...Show more »
"You cannot make a film like this without integrity. To make the audiences believe in you, you must believe utterly in what you are doing." - (1972) Show less «
"People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures,...Show more »
"People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher." - ABC Film Review (Nov 1964) Show less «
[advice to Simon Ward, who was delivering his lines at an urgent pace] Now you know, dear boy, that ...Show more »
[advice to Simon Ward, who was delivering his lines at an urgent pace] Now you know, dear boy, that at the end of every line leave a very tiny gap so they can get the scissors in. Show less «
An actor's job is to entertain and I'm glad to say that my films succeeded in that respect.
An actor's job is to entertain and I'm glad to say that my films succeeded in that respect.
Peter Cushing's FILMOGRAPHY
Star Wars: Episode IV - A New Hope
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Top Secret!
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Sword of the Valiant: The Legend of Sir Gawain and the Green Knight
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The Life and Deaths of Christopher Lee
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Electric Boogaloo: The Wild Untold Story of Cannon Films
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These Amazing Shadows
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Never Sleep Again: The Elm Street Legacy
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Flesh and Blood: The Hammer Heritage of Horror
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Tales of the Unexpected - Season 9
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Biggles: Adventures in Time
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Tales of the Unexpected - Season 8
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Tales of the Unexpected - Season 7
ep.15
Tales of the Unexpected - Season 6
ep.14
House of the Long Shadows
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Tales of the Unexpected - Season 5
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Tales of the Unexpected - Season 4
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Misterio en la isla de los monstruos
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Tales of the Unexpected - Season 2
ep.16
Tales of the Unexpected - Season 3
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Hammer House of Horror - Season 1
ep.13
A Tale of Two Cities
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Arabian Adventure
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The Devils Men
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Annabelle: Creation
IMDb: 7
2017
109 min
Country: United States
Genre: Thriller, Horror, Mystery
Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into ...